ALTAN, E. “‘Mimarlik Tarihi Arastirma Stüdyosu’ Çalismasinin Düsündürdükleri: Ankara’da Mimarlik, 1950–1980”, with Bilge Imamoglu, Mimarlik, 337, 2007.
ALTAN, E. “Presenting Ankara: Canonical Visions of Early Republican Architecture in Turkey”, in Dana Arnold, Elvan Altan Ergut, Belgin Turan Özkaya (eds.) Rethkinking Architectural Historiography, pp.151-168. Routledge, London and New York, 2006.
ALTAN, E. “Mapping Architectural Historiography”, with Belgin Turan Özkaya”, in Dana Arnold, Elvan Altan Ergut, Belgin Turan Özkaya (eds.) Rethkinking Architectural Historiography, pp.1-14. Routledge, London and New York, 2006.
ALTAN, E. “Modern Architecture in the Middle East: Beyond Tradition and Development”, with Belgin Turan Özkaya,DOCOMOMO Journal, September 2006, no.35, pp.24-29.
ALTAN, E. “Erken Cumhuriyet Dönemi Türkiye Mimarlığı ve Modernleşme: Mesleğin Profesyonelleşmesi Sürecinde Yabancı Mimar Problemi ve Yarışmalar", Cumhuriyet'in 80. Yılında Türkiye Kültürü, der. Cana Bilsel, 73-84. Mimarlar Odası ve SANART Estetik ve Görsel Kültür Derneği Yayınları, Ankara, 2007.
ERZEN, J. “Ecology, Art, Ecological Aesthetics”, in Heike Strelow, ed. Ecological Aesthetics,ed., Birkhauser, Basel, Berlin, 2004, pp.22-25.
ERZEN, J. Fotograf Notlari, Say Yayinlari, 2004, Istanbul.
ERZEN, J. “Cultures in Transition and Aesthetic Modes”, in K. Nishimura, et. al. eds. Selected Papers of the 15th International Congress of Aesthetics, ed. Tokyo 2003, pp 45-53.
GÜVEN, S. “Building the Past in Ankara from Augustus to Atatürk” in Perceptions of the Past in the Turkish Republic (Classical and Byzantine Periods), Brill (forthcoming).
GÜVEN, S. “Frontiers of Fear: Architectural History, the Anchor and the Sail” in Rethinking Architectural Historiography, eds. Dana Arnold, Elvan Altan Ergut, Belgin Turan Özkaya, London and New York, Routledge, 2006, pp. 74-81.
GÜVEN, S. “Antik Çagda Küreyerellesme: Urfa’da Temsil ve Bellek Tasarimi”, Türk(iye) Kültürleri, pp. 520-540, Tetragon Yayinlari, 2005, Istanbul.
GÜVEN, S. “Mimarlik Tarihi ve Antik Dönem Açilimlari” Eskiçag’in Mekanlari, Zamanlari, Insanlari, ODTÜ Mimarlik Tarihi Yüksek Lisans ve Doktora Programi Doktora Arastirmalari Sempozyumu III, 2-3 Haziran 2003, ODTÜ, Ankara, der. Lale Özgenel, ODTÜ Mimarlik Fakültesi ve Homer Kitabevi, Istanbul, 2005, pp.15-29
GÜVEN, S. “Mimarligin Ilk Kurami”, Sanat Dünyamiz, no.90, 2004, pp.176-183.
KUTLUAY, Pınar. Tuğba İnan, Ufuk Ersoy, Tahsin Başaran, ‘‘Türkiye’den Dünyadan Örnekler Işığında Çift Cidarlı Cephenin Gelişimi [The Evolution of Double Skin Facades under the Light of Examples from Turkey and the World].’’ in 12th HVAC&R Congress (TESKON 2015) and Teskon+SODEX Exhibition, 8-11 April 2015, Tepekule Convention and Exhibition Center, İzmir, in 12th HVAC&R Congress (TESKON 2015) Proceedings, İzmir, pp. 2249-2263.
KUTLUAY, Pınar. ‘‘On the Way to Autonomous Wall: Cage Structure’’ ARCHTHEO 2013, Theory of Architecture Symposium, Mimar Sinan Fine Arts University, December 4-5, 2013, Creativity, Autonomy, Function in Architecture ARCHTHEO 2013 Proceedings, Ed. Neslihan Çıtak and Efe Duyan. İstanbul: Mimar Sinan Fine Arts University Publishing, 2013, pp. 237-241.
ÖZGENEL, L. “Public Use and Privacy in Late Antique Houses in Asia Minor: The Architecture of Spatial Control”, in L. Lavan, L. Özgenel and A. Sarantis eds. Housing in Late Antiquity: From Palaces to Shops (Brill 2007), 239-281.
ÖZGENEL, L. (with H. Elton, M. Jackson, G. Mietke, J. Newhard, and E. Twigger), “A New Late-Roman Urban Centre in Isauria”,Journal of Roman Archaeology 19 (2006), 300-311.
ÖZGENEL, L.“Late Antique Domestic architecture in Lycia: An Outline of Archaeological and Architectural Evidence”, in K. in K. Dörtlük et.al. eds. The Third Symposium on Lycia, Symposium Proceedings, (Antalya 2006), 557-572.
ÖZGENEL, L. (editor) Eskiçag’in Mekanlari, Zamanlari, Insanlari (Spaces, Times and People of the Ancient World, Proceedings of the III. Graduate Studies Symposium, June 2003, Middle East Technical University, Ankara, Turkey) (Istanbul, Homer and METU 2005).
ÖZGENEL, L. “Antik Yunan Konut Yazini: Kaynaklar, Sorunlar ve Yeni Yaklasimlar Üzerine bir Degerlendirme”, (The Literature on Ancient Greek Domestic Architecture: an Evaluation of Sources, Problems and New Approaches), OLBA 2005: XIII (Journal of the Mersin University Research Center of Cilician Archaeology), 199-220.
PEKER, A.U., - ÖZDENGİZ, B., "Szuleymán szultán türbe-palánkja Szigetváron a 2015/2016-os ásátasok épitészeti vizsgálatai alapján," Szulejmán Szultán Szigetváron a Szigetvári Kutatások 2013-2016 Kösöt, N. Pap – Fodor, P. (Pécs, 2017) 131-161.
PEKER, A. U., “Reconstruction of Memory and Memorials in Szigetvár,” Memory of Place in Architecture and Planning (Konya Selçuk University, 2017) 91-104.
PEKER, A. U., “Architectural Technology in History Class,” Innovative Approaches in Architecture and Planning (Konya Selçuk University, 2014) 398-409.
PEKER, A. U., “Architectural Transformations in Mediaeval Anatolia (With Special Reference To Central Asia),” Byzantine Culture, Dean Sakel (ed.), (Ankara: TTK, 2014) 279-92.
PEKER, A. U., “Anadolu’da Selçuklu Mimarisi ve Kayseri Gevher Nesibe Darüşşifası Örneği,” Anadolu Selçuklu Uygarlığının İzinde, M. B. Tanman (ed.) (Kayseri: Kayseri Belediyesi, 2014) 105-27.
TANYERİ ERDEMİR, T. "Going Native Through Archaeology: The Impact of British Explorers and Archaeologists in the Ottoman Empire in the 19th Century", ISIMU, no:10, pp.69-78, 2009.
TANYERİ ERDEMİR, T. "Çocuklar icin Bilim: Bilim Müzeleri ve ODTÜ Örneği", in Bekir Onur (ed.) Üniversite Müzeleri ve Müzecilik, pp.117-128. Ankara Üniversitesi Yayınları, Ankara, 2009.
TANYERİ ERDEMİR, T. "The Temple and The King: Urartian Ritual Spaces and Their Role in Ideology" in Jack Cheng and Marian Feldman (eds.) Festschrift for Irene J. Winter, pp. 205-225. Brill, Leiden and Boston, 2007.
TURAN ÖZKAYA, B. Itinerant Objects: British Museum and the Ottoman Response to Antiquity (book project, work-in-progress).
TURAN ÖZKAYA, B. Aldo Rossi and the Art of Connecting, forthcoming, solicited by Infolio.
TURAN ÖZKAYA, B. “The object of archaeology: from ‘marbles’ to the archaeological landscape” forthcoming in Proceeding, International Conference, Actual Problems of Theory and History of Art VII, 11-15 October 2016, Saint Petersburg (with Yavuz Özkaya).
TURAN ÖZKAYA, B. “Travel,” special issue, Architectural Histories: The Open Access Journal of the EAHN, co-edited with Davide Deriu and Edoardo Piccoli, (June 2016).
TURAN ÖZKAYA, B. "Ambivalent Architectures from the Ottoman Empire to the Turkish Republic," special issue, New Perspectives on Turkey, No.50, co-edited with Elvan Altan Ergut, (Spring 2014).
TURAN ÖZKAYA, B. "Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art; Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753-1914; Artamonoff: Picturing Byzantine İstanbul, 1930-1947," Exhibition Review in Journal of the Society of Architectural Historians, Vol. 73, No. 3, (September 2014): 439-442 (with Elvan Altan Ergut).
TURAN ÖZKAYA, B. "Transpositions on the Edge of Europe: Ambivalence and Difference in Architecture"' special isssue, Journal of Architecture 16/6, co-edited with Elvan Altan Ergut, (December 2011).
TURAN ÖZKAYA, B. “Spaces of Vision: Architecture and Visuality in the Modern Era,” Architectural Theory Review, 12/1, August 2007, Routledge, London and New York. 2-7.
TURAN ÖZKAYA, B. “Mapping Architectural Historiography” with Elvan Altan Ergut in Dana Arnold, Elvan Altan Ergut, Belgin Turan Özkaya (eds.) Rethkinking Architectural Historiography, pp.1-14. Routledge, London and New York, 2006.
TURAN ÖZKAYA, B. “Modern Architecture in the Middle East: Beyond Tradition and Development”, with Elvan Altan Ergut,DOCOMOMO Journal, September 2006, no.35, pp.24-29.
TURAN ÖZKAYA, B. “Theaters of Fear and Delight: Ottomans in the Serenissima,” in After Orientalism: Critical Entanglements, Productive Looks, Inge Boer (ed.), Amsterdam, New York, NY: Rodopi, 2003, 45-63.
TURAN ÖZKAYA, B. “Reaestheticizing the Discipline: Aldo Rossi and the Triumph of ‘Autonomous Architecture’,” Harvard Design Magazine, 17, Fall 2002, Harvard University Graduate School of Design, Cambridge, MA. 72-78.